Who layeth the beams of his chambers in the water's. His lofty halls are framed with the waters which are above the firmament. The upper rooms of God's great house, the secret stories far above our ken, the palatial chambers wherein he resides, are based upon the floods which form the upper ocean. To the unsubstantial he lends stability; he needs no joists and rafters, for his palace is sustained by his own power. We are not to interpret literally where the language is poetical, it would be simple absurdity to do so. Who maketh the clouds his chariot. When he comes forth from his secret pavilion it is thus he makes his royal progress. "It is chariot of wrath deep thunder clouds form, "and his chariot of mercy drops plenty as it traverses the celestial road. Who walketh or rather goes upon the wings of the wind. With the clouds for a car, and the winds for winged steeds, the Great King hastens on his movements whether for mercy or for judgment. Thus we have the idea of a king still further elaborated —his lofty palace, his chariot, and his coursers are before us; but what a palace must we imagine, whose beams are of crystal, and whose base is consolidated vapour! What a stately car is that which is fashioned out of the flying clouds, whose gorgeous colours Solomon in all his glory could not rival; and what a Godlike progress is that in which spirit wings and breath of winds bear up the moving throne. "O Lord, my God, thou art very great!"